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Steering Group Members

The workshop steering group co-ordinates, hosts and curates the research activity represented in the workshop series. Its members’ interests and approaches are informed by a wide range of experience in the field of live art and performance, including archival, critical, curatorial and practice based approaches.
Group members also live and work across the British Isles and have an interest in the specificity of their own locale and the dialogues and commonalities that have emerged through the workshops.

Group members have participated in all workshop – details about other workshop participants, several of whom have contributed to more than one workshop, can be found on the participants page, along with sample papers and contributions.

 

 

  Claire MacDonald, Central St. Martins College of Art, University of the Arts London

Claire MacDonald is a Senior Research Fellow at Central Saint Martins and Director of the International Centre for Fine Art Research at the University of the Arts London. A founding editor of the journal Performance Research, a Contributing Editor to Performing Arts Journal and Artistic Director of the performance writing network the space between words. In 2005 she returned to the UK from Washington DC where she directed the InterArts programme at George Mason University in Virginia. She currently combines commissions as a writer with teaching, research and curatorial work.

International Centre for Fine Art Research www.icfar.co.uk


 
 

Dr. Sara Jane Bailes, University of Sussex

Sara Jane Bailes is a Senior Lecturer in Performance Studies at the University of Sussex. She is completing a book on contemporary theatre, Performance Theatre and the Poetics of Failure (Routledge, 2007). Her research considers practice as a mode of critical enquiry, and interrogates the intricate relations between theory, ideology, and live performance. She is a creative collaborator with Bristol-based ensemble, The Special Guests and is working on an installation with audio-visual artist, Jem Noble. She is also a contributing editor for Women & Performance: a journal of feminist theory and writes regularly for a range of international journals, theatre websites, performance events and colloquia.

www.thespecialguests.co.uk
www.womenandperformance.org

 
 

Stephen Cleary, British Library Sound Archive

Steve Cleary has been Curator of Drama and Literature at the British Library Sound Archive since October 2003, having previously worked as Assistant Curator in the department 1997-2003. The department aims to collect and make accessible documentary recordings of drama and other non-musical performance in Britain, together with recordings of ancillary material such as interviews and discussions; to maintain and develop the collection; and to raise public awareness of the collection
and increase use of the holdings. Steve has accumulated considerable expertise in technologies and methods of archiving spoken word and performance audio documentation.

www.bl.uk/collections/sound-archive/drama.html

 
  Dr Dee Heddon, University of Glasgow

Dee Heddon is a senior lecturer in Theatre Studies at the University of Glasgow. She is co-author of 'Devising Performance: A Critical History' (Palgrave Macmillan, 2006) and author of 'Autobiography and Performance' (Palgrave Macmillan, 2007). Dee has published her work in many journals, including Performance Research, New Theatre Quarterly and PAJ. Dee also explores research through practice, devising such works as 'Postcards from Devon' (2001), 'Following in the Footsteps' (2002), and 'One Square Foot' (2003). Dee is currently a Board Member for New Moves International, the producers of New Territories (which includes the annual National Review of Live Art).

www.tfts.arts.gla.ac.uk/Staff/dee.htm

www.newmoves.co.uk

 
  Dr. Angela Piccini, University of Bristol

Angela Piccini is a Research Councils Academic Fellow based in Drama: Theatre, Film, Television, University of Bristol. Her Fellowship is associated with the University's 'Performativity, Place, Space' research theme. Her particular interest in the mediatised traces of past human activities is focused through research into documents, documentary, sound recording and digital archives and the messiness of their spatio-temporal performativities. She is currently PI on an AHRC-funded Landscape and Environment Network, 'Living in a Material World' and is writing about production histories of television archaeologies.

www.bris.ac.uk/drama/staff_research/angela_piccini
http://humanitieslab.stanford.edu/materialworld/11

 
  Web Design and Research: Erica Scourti

Erica Scourti is a London-based artist, film-maker and web-designer. Her work has been shown internationally and extensively in the UK in galleries and festivals such as the Videonale 11 in Kunstmuseum Bonn, Castlefield Gallery, Manchester and the Creekside Open x 2. She also works collaboratively with young people in a variety of digital art & film-making projects.

www.ericascourti.com